The Levant & Iraq
Olive branches pressed into handmade paper, tatreez cross-stitch worked in deep red thread, lanterns strung over midnight blue. Three designs drawn from courtyards and orchards — quiet, rooted, and unhurried.
Launch offer: £15 off every package with code NOOR15
Named for the cities and motifs of the Muslim world
Each with its own palette, its own artwork, and not a single generic rose in sight. Geometry, calligraphy, botanicals and architecture — never faces or figures.
Olive branches pressed into handmade paper, tatreez cross-stitch worked in deep red thread, lanterns strung over midnight blue. Three designs drawn from courtyards and orchards — quiet, rooted, and unhurried.
Zellige geometry, riad gardens behind carved doors, horseshoe arches and polished brass. Designs that carry the light of Cairo, Casablanca and al-Andalus without a single shortcut.
Majlis velvet, gold geometry on black leather, the hush of an evening reception. Two designs made for celebrations where restraint itself is the luxury.
Mehndi paisley blind-embossed in terracotta, Mughal arches in rosewood velvet, jamdani weave in ivory and marigold. Designs for the mehndi night and the darbar alike.
Red and gold of the jirtig, coin strands and folk motifs, celebration the Sudanese way. One design today — and a promise that this collection will grow.